The lovely Stu Warwick has once again produced a terrific Christmas card for the Rat Scabies And The Holy Grail team. This year’s card, which we have sent to selected members of the Priory of Sion and a handful of our favourite Knights Templars, is a lovingly crafted black-and-white number featuring Rat Scabies, Richard Bellia and yours truly in a scene that’s a cross between “Indiana Jones And The Raiders Of The Lost Ark” and “Mighty Melons III” (a superior movie to both “Mighty Melons I” and “Mighty Melons II”, as I am sure you’ll all agree). And if you’re of a mind, you can see Stu’s card from last year here.
Right, I’d better get on. I have important grail business to attend to. I’ve also got a turkey to stuff. Merry Christmas everybody. Not too much fizzy pop now, you hear me?
Shall we have some Flipron? They’ve just brought out a new album, “Firework Shoes”, so we should, shouldn’t we?
I have been a big fan of Flipron since Rat Scabies played me some of the demo tracks they recorded at The Arch, his studio under Kew Bridge in London, way back in, oh, I guess it must around 1998, and I am amazed more people haven’t cottoned on to what a good band they are. Maybe “Firework Shoes” will do the trick. It’s produced by Rat and has Neville Staples, ex-The Specials and The Fun Boy Three, on a tune called “The Comet Returns”, which sounds like the theme music for “The Magnificent Seven” given the 2-Tone treatment. Ride ’em, rude boy.
Elsewhere, there’s all the musical weirdosity I’ve come to expect from Flipron. There’s psychedelic honky-tonk and fairground rock ‘n’ roll and kaleidoscopic avant-jazz and neo-bubblegum blues. There’s so much colour you’d think they were sponsored by Dulux. There are lots of darkly twisted tales and esoteric musings too, with frontman Jesse Budd out-Tim Burtoning even Tim Burton. “Available for weddings, trials and beheadings / Sporting occasions, autopsies, immolations / We’re low-life seeking elevation,” he sings at one point.
Anyway, we were going to have some Flipron, right? So if you would kindly press the little orange button below, we can listen to “The Big Red Button Must Never Ever Ever Be Pressed”. Lovely.
Flipron photos by John Coles
I love this gritty version of The O’Jays’ superb “Back Stabbers” by Soo Catwoman, one of the most famous faces of the early punk days. Soo was the cover star of the Sex Pistols’ Anarchy In The UK fanzine and her distinctive hairstyle was later copied by Keith Flint of The Prodigy. She’s backed on this 1998 cut by one-time Generation X, Empire and Westworld guitarist Derwood Andrews (who also crafted the video) and drummer turned grail hunter Rat Scabies. It was recorded at The Arch, Rat’s studio under Kew Bridge, and I believe I am right in saying it was the first time Soo had committed her vocals to tape. Although the track wasn’t released back then, it’s now available as a download at CD Baby. Click here for Soo Catwoman’s CD Baby artist page and here for her website, where you’ll find some great merchandising on the store page.
Did I mention I’d written a book called Rat Scabies And The Holy Grail? I believe I did. It’s very good, you know. It’s about what the title says it’s about – punk rock legend Rat Scabies and me on a mind-bending (and probably soul-bending) hunt to find ye olde mystic and elusive Holy Grail – and you can read a couple of extracts here. Go on. You know you want to.
On this seasonal note, that’s about it from me for a couple of weeks. Have a great Christmas. I’ll start posting again when I’m able to extricate myself from the armchair.
My old buddy Richard Bellia has a small selection of his photographs available as prints at Yellow Korner, a website specialising in affordable art imagery. The prints include Joe Strummer (The Clash), Robert Smith (The Cure), reggae idol Lee “Scratch” Perry, two different photos of Nirvana, and the above shot of Guns N’ Roses, which was taken at The Marquee in the summer of 1987, on the band’s first trip to London. Each print is numbered, comes with a certificate of authenticity, and costs €69 – a bargain at twice the price.
I worked with Richard on loads of jobs for Melody Maker in the late Eighties and early Nineties. One of my most vivid memories was when we covered the 1988 Monsters Of Rock festival at Castle Donington, an event marred by the tragic death of two fans in the crush of the crowd during Guns N’ Roses’ set. You can read my review of the festival here and a Guns N’ Roses piece based on a couple of interviews I did with Slash (one of them backstage at Donington) here. And if you’ve not had enough of clicking, you can read more about Richard Bellia here. This last link is an extract from my book Rat Scabies And The Holy Grail, in which Richard plays a leading part (although I’m sure Scabies and I would have found the bloody thing quicker without him).