I hear the sirens calling
As the rain is gently falling

Electronic magazine

As you may have noticed – you did notice, didn’t you? – I have neglected my blog for the last few months. It’s because I’ve been stupidly busy putting together a new magazine called Electronic. It’s the Special Secret Project I talked about back in May.

Electronic is now available at WHSmiths and all good newsagents throughout the UK. You can also order it online by clicking here. Underworld are on the cover, as I’m sure you’ve already spotted, and there are also articles on The Human League, Detroit techno, Can, Gary Numan, A Guy Called Gerald, Minimal Wave, Silver Apples and the BBC Radiophonic Workshop, plus a superb Kraftwerk interview from 1977. There’s a free CD too, featuring the likes of Cabaret Voltaire, OMD, Heaven 17, Devo, Ultrazox, Fad Gadget, The Normal and Yazoo. The magazine is published by Future (the makers of mags like Classic Rock and Prog) and at the moment we are just putting out a one-off pilot issue, but there will be more if the pilot sells well.

Please click here for the magazine’s Facebook page (and don’t forget to hit the “like” button) and here to follow us on Twitter.


Won’t get spooled again

If you bought the NME during the 1980s, you’ll no doubt remember some of the compilation tapes given away free with the paper throughout the decade. I’ve got a tall and wobbly stack of NME tapes sitting on a shelf somewhere, but I haven’t heard any of them for yonks – not least because I don’t own a tape player these days. So I am very pleased to have discovered Press Play And Record, a website with digital rips of many of these superb compilations.

“C86” is perhaps the best known NME tape, its title briefly giving a new name to the jangly guitar music it featured (The Wedding Present, The Mighty Lemon Drops and The Shop Assistants, to name just a few), but my favourite has long been the wildly eclectic “C81”. The highlights include Cabaret Voltaire, The Specials and Robert Wyatt. It’s brilliant to hear the NME‘s jazz, blues and R&B collections again too, especially “Stompin’ At The Savoy”, a neck-jerking assortment of belters and honkers which first appeared on Savoy Records back in the 1940s.

The NME tapes were compiled by journalist Roy Carr, who’s never really got the credit he deserves for these spooled delights. Roy began writing for NME in the late 1960s and put together tapes and later CDs for all the IPC Media music magazines – Melody MakerMuzikVox and Uncut as well as the NME – for around 30 years.