Now I know you are all regular listeners to my monthly radio show on Frome FM. You can hear it online, so there really is no excuse for you not tuning in, even if you live on the other side of Somerset. Or the world, come to that. Anyway, if you’re not always able to listen in, you’ll be glad to learn that Frome FM have recently added an archive area to their site and you can find my latest broadcast there. This show features the old skool house pioneers, with tracks by the likes of Fingers Inc (pictured above), Marshall Jefferson, Frankie Knuckles, Nitro Deluxe, Sterling Void, Todd Terry and Farley “Jackmaster” Funk. Flick on your jacking switch and hear it here.
I can’t remember when I first discovered Ishkur’s Guide To Electronic Music but it was a good few years ago, so I am very pleased to have just come across it at the Digitally Imported online radio website. If you’ve not seen it before, Ishkur’s Guide is an interactive thingamabob illustrating the way that electronic music morphed into a million and one different genres and sub-genres in the 1980s and 1990s. It’s organised roughly chronologically and is highly entertaining as well as informative. If you have any interest in electronic music or dance music, there is absolutely no way you will find a better use for your mouse than clicking around this place. As interactive thingamabobs go, it really is one of the best.
Ishkur is a Canadian fella called Kenneth John Taylor, who apparently created the original Ishkur’s Guide in two weeks after telling a friend he could pigeonhole every electronic record in existence. That was in 2000. The most recent version (2.5) dates from 2005 and includes around five hours of sound files, including cuts by Kraftwerk, Giorgio Moroder and Throbbing Gristle, Chicago house and Detroit techno bigwigs such as Marshall Jefferson, Larry Heard and Juan Atkins, and examples of everything from speedbass and terrorcore to microhouse, illbient and liquid funk. You’ve never heard of any of those? Ah, that’s why you need Ishkur’s Guide, you see.